So they've announced the return of X-Factor as part of the All-New Marvel Now books. The Ugly American Report covered the price hike of the new series to $3.99 and the excellent Ryan Lee's feelings on the new series (seriously go read it). His column inspired me to give my feelings on the new book, which come purely from a story point of view, and take a chance to re-evaluate my Marvel pull list as we move towards All-New Marvel Now.
Re: X-Factor
I was a fan of the previous X-Factor volume and writer Peter David and I was unhappy when the series came to an end recently so the idea of a new series naturally peaks my interest. Sadly, it seems the story doesn't. First of all, they have dropped most of the characters that I was invested in from the X-Factor Investigations era: Layla Miller (she's just a brilliant character), Jamie Maddox (the heart of the previous era) and Monet (who improved greatly as a character under David). They have also gotten rid of gay couple: Shatterstar and Rictor so they have eliminated a storyline aspect that has won the book GLAAD awards and that added to my enjoyment of the book. They still have longtime X-Factor member Polaris and we will see the return of her half-brother and former team member Quicksilver. I find their relationship and Pietro's character intriguing (Peter David has done some good stuff with him before) but I don't think that will be enough to keep me on board.
New team member Gambit can be an interesting character in the correct hands but I've never been all that invested in him. The remainder of the new team members leave me flat: Doug Ramsey, Warlock and Danger. Warlock and Danger are kind of similar characters to me and I didn't like the origin of Danger which added to the "Professor Xavier is a jerk" run of storylines in Marvel Comics. Peter David has a history of changing my mind on characters but this would be an uphill struggle from the start. The corporate sponsored team premise reminds me of an ill-fated favourite of mine Wildcats 3.0 so I think I'd be, rightly or wrongly, subconsciously measuring the series against it. I'd certainly be measuring against the previous series. Honestly, I don't know if I'll even pick up issue one.
Fate of the rest
I dropped 5 books I have started with Marvel Now and Marvel have decided to end 4 so I am down to 3 books. I am only staying on these books for the creative team or for the current storyline so we'll see how long they last:
All-New X-men - DROPPED
Avengers - DROPPED
Avengers Arena - ENDING
Fearless Defenders - ENDING
Indestructible Hulk - KEEPING Until Mark Waid leaves
New Avengers - DROPPED
Thor: God of Thunder - KEEPING for the current creative team
Superior Spider-man - KEEPING until Peter Parker returns
Thunderbolts - DROPPED
Uncanny Avengers - DROPPED
X-men Legacy - ENDING
Young Avengers - ENDING
Of the All-New Marvel Now books announced, apart from maybe trying X-Factor, I will check out the new Daredevil book as he is my favourite superhero. Nothing else appeals to me. That's a lot of books dropped but there plenty of independent books and collections to spend my money on so it is not all bad.
Tuesday, November 19, 2013
Sunday, September 8, 2013
REVIEW: THE DEVIL IS IN THE DETAILS
I never thought I would be reviewing a book (I tend to stick
to comics) but this one has two things going for it: 1) it is a book about comics
and 2) it is a book about the my favourite superhero, Daredevil. That’s not to say
it was a given that I would pick it up. I had a quick glance at the contents
page and it seemed to offer quite a variety of topics related to the man named
Matt Murdock. I’ll give a quick summary of each essay:
1) “A
Different Daredevil” looks at the various creators who were involved at the very
beginning (Jack Kirby, Steve Ditko, John Romita Sr and so on) and ponders
various what ifs including one that John Romita Sr seems to ponder himself of
what if he stayed on the book he seemed to really enjoy working on (He was
moved to Spider-man after Ditko’s departure).
2) “Grabbing
the Devil by the Horns” examines Daredevil’s early rogues gallery and how week
and weird they were.
3) “Being
Mike Murdock” looks at Matt’s fictional brother and what it says about the
psychology behind his creation.
4) “Daredevil
and the Missing Father” is an examination of the relationship between Matt and
Jack Murdock while looking at father/son relationships in Western Literature.
5) “There
Will Be Blood” is a discussion of the violence in the book and why Daredevil’s
villains are more bloodthirsty.
6) “Science
Fact!” looks at the Marvel Physics behind Daredevil’s powers and how they hold
up in the real world.
7) “Daredevil:
Not Ready For Primetime?” ponders why Daredevil works better alone and not as
part of a group like the Avengers.
8) “The
Life and Times of Foggy Nelson” takes a look at Matt Murdock's law partner and best friend.
9) “Blind
Dates and Broken Hearts” is a look at Matt Murdock tragic love-life.
10) “Daredevil
and Spider-man”. Is Daredevil a dark Spider-man? A comparison of the two early
60s creations.
11) “Daredevil
and Punisher” asks are Daredevil and The Punisher polar opposites?
12) “What Fall
From Grace?” takes another look at the much maligned Daredevil run by Daniel
Chichester.
13) “.22
Caliber, a Girl’s gun” takes a look at Vanessa Fisk’s role in Brian Michael
Bendis’ Daredevil run.
14) “When
Things Fall Apart In Hell’s Kitchen” looks at Brian Bendis’ run.
15) “Daredevil:
Intermediate Super-Hero Filmmaking” looks at super-hero movies and Daredevil
(2003).
16) “The Only
Way Is Down” examines Ed Brubaker’s run and how it is akin to 1970’s Film Noir.
I enjoyed the variety provided. It is a book that you can
pick up and read a chapter and get something different each time. It never
looks down on the subject matter (I was worried that “Science Fact” might but
it tends to highlight where the powers are factually correct) and it examines various
aspects of the storytelling that has had me picking up Daredevil in interesting
ways. I think it is a must for all Daredevil and comic fans in general.
Friday, September 6, 2013
KICKING IT WITH PAPER FILMS: WHY YOU SHOULD BACK FORAGER
I missed out on the first Paperfilms Kickstarter project, Queen Crab (art by Artiz Eiguren and a cover by Sas Christian), because I was unsure about the whole
Kickstarter idea but, when I managed to pick it up in my LCS, I was impressed
by the quality of the book. It was a fun little story about a girl running from
the mob and into some weirdness. You just couldn’t get something like this from
anybody else. I decided I wasn’t going
to miss out the next time Jimmy Palmiotti and Justin Gray launched a project. I
backed their next project, Retrovirus (art by Norberto Fernandez and a cover by Amanda Conner), which was an
entertaining action romp about scientists uncovering something that they
shouldn’t. My favourite part about that project was I was able to pick up an
extra copy at my reward level and share the fun with my best friend. He only
had one criticism. He wished there was more. He received the next project, Sex
and Violence, as a birthday gift (I had a look at the book first of course).
That saw an interesting split in the writing chores with Justin Gray doing a
crime story (“Pornland, Oregon” with art by Jimmy Broxton) and Jimmy Palmiotti
doing a strange love story (“Girl In A Storm” with art by Juan SantaCruz). Amanda Conner once again provided a cover.
I am currently waiting for the last project to be funded,
Weapon of God (art by Giancarlo Caracuzzo and design by Bill Tortolini and another beautiful cover by Amanda Conner), to
arrive. I have to wait a little longer because I opted for the Jimmy Palmiotti
original art level which is a postcard sized ink sketch of a character I got to pic. I have the option of looking at the pdf but I am a bit
old-school when it comes to their projects and want to wait to have physical
project in my grubby little paws. It says something about my trust in them that
I have already backed their new all ages sci-fi project, Forager (art by Steven
Cummings with more design by Bill Tortolini), before it arrives though doesn’t
it? Well there are reason for this. Every single one of their projects is a high quality project with a great artist involved. They also treat their backers like royalty. Nobody else is going to get this book before you. You will be kept up to date on every aspect of the project and if there will be any delays (I haven't had any of these that weren't related to you getting something extra), they will let you know. They also have quality extras from artists like Amanda Conner and Darwyn Cooke and fun ones like a mystery signed book of THEIR choice. Finally, Jimmy and Justin are two of the nicest guys in comics so show them some love. You get so much in return.
Thursday, July 4, 2013
THAT'S ME IN THE CORNER: ENJOYING BATWING
Anybody that follows me on Twitter
knows of my love for all things Palmiotti and Gray. From discovering
their work on Jonah Hex to their creator owned books to their
Kickstarter projects and most things in between. I've been reading
comics for longer than I care to remember so I have become quite
jaded and crotchety about a lot of the trappings of comicbooks so
their creator owned stuff is often a breath of fresh air. It brings
their craziness level to the max and there's always the feeling that
anything can happen because there are a couple of madmen behind the
wheel (and there's usually an excellent artist in the car with them).
So what appeals to me about their (relatively) new DC book Batwing?
Well allow me to explain myself.
Event books. Crossovers. Complex
continuity. Lack of creative freedom. I could go one. These are the
things that bother me about the books of the big two. Batwing is
mostly free from all the trappings. Palmiotti and Gray's first
issue (Batwing issue 19) was a reboot of sorts, they wrapped up the
story of the original Batwing, David Zavimbe, who was the “Batman
of Africa” and brought in a character that is more connected to
Batman continuity. It is a strange contradiction that they have
brought Batwing to Gotham but have managed to make his book stand
alone. Sure, Batman is in the book and it is part of the whole Batman
Inc. continuity but there is still the sense that this book is doing
it's own thing and you don't need to read any of the other Batbooks
to get it. The new Batwing, Luke Fox, is the son of Lucius Fox, the
designer of a lot of Batman's arsenal. Lucius wants his son to work
for Wayne Enterprises but Luke wants to do his own thing. This is one
of the most interesting things about the book: the potential for it
all to go horribly wrong. If Lucius finds out Luke is Batwing, he
will not be happy and Batman will probably lose one of his biggest
allies.
That is the trick to the success of the
Palmiotti and Gray reboot for me: the book feels more important as
Luke has a personal connection to the Batman mythos but is telling
its own story. You only have to read Batwing. That being said, you
should pick up All-Star Western 21 to catch Batwing's appearance. It
is very cool.
Saturday, June 8, 2013
FIVE COMICS I AM READING (MARVEL) NOW
Remember Charles Xavier's son? The chap
with the funny hair who caused the Age of Apocalypse? Well they gave
him his own series. Living up to the title, David Haller aka Legion
must deal with the death of his father and whether he should try to
follow "Xavier's Dream" or go his own path. He also has to deal with a
“legion” of personalities with different superpowers who could
take over his mind if they get the opening. Si Spurrier has crafted
an interesting journey and has redeemed the character for me. It also
helps that the series has some of the most interesting covers out at
the moment.
Avengers Arena
The premise is that Arcade has
kidnapped a bunch of super-powered teenagers and is demanding that
they fight each other until there is one character standing. It
seemed very Lord of the Flies, Hunger Games, Battle Royale... and so on. It didn't
seem like my sort of book but I gave issue one a shot. Dennis
Hopeless won me over with a mixture of great characterisation and a
feeling that anything can happen. Death is the
end and can occur at any time. Arcade has become a badass and
Hopeless and Walker have created a bunch of great new characters (I
would love to see a book about the Braddock Academy). Another series
with great covers.
Indestructible Hulk
I was never much of a Hulk fan but Mark
Waid has taken an interesting idea that fits the character of Bruce
Banner and has run with it. Thinking of his legacy and realising that
he can't cure the Hulk problem (for now at least), Bruce Banner has
decided that he wants to be known for his inventions and not for
random property destruction. He has done a deal with S.H.I.E.L.D. to
accomplished this and surrounded himself with a cast of scientists
who seem to have secrets. Waid nails the character and has created an
interesting supporting cast. I wasn't always a fan but Leinil Yu is
doing great work on the art side in this book. Also, Walt Simonson
has stepped in for a Thor story. What more do you need?
Superior Spider-man
Like the Hulk, I never really read
Spider-man. I have always liked his rogues gallery though. My favourite of these
was Doc Ock. With Otto Octavius taking Peter Parker's place, this book is the one for me then right? Well not at first. It
took a Comixology sale to get me to pick up issue one. Once I had
read it, and understood what the premise was, I was hooked. Otto
Octavius wants to prove himself to be a better Spider-man than Peter
Parker, a Superior Spider-man. The interactions with the other Spider-villains is interesting as Otto has a history with some of them too. Dan Slott seems to be building to
something great with another one of my favourite Spider-villains too. I like it. This storyline also has the side-effect of the very funny interactions in the Avengers books. Those people are beneath him.
I don't think I need to say much about
this book. Hawkeye. Greatest sharpshooter known to man. He then
joined the Avengers. This is what he does when he's not being an
Avenger. That's all you need to know. Matt Fraction writes. David Aja
and Francesco Francavilla draw. Matt Hollingsworth colours. More great covers.
Thursday, May 30, 2013
IRELAND'S FIRST SUPERHERO? THE CELTIC WARRIOR
With
Celtic Warrior,
Will sets out to tell some of the best known stories of Cú
Chulainn and he does this via the Irish tradition of storytelling. As
the armies reach various points in Ireland, a history is revealed to
us that gives us more the background for the events that are
transpiring now. In the first chapter, Courage, we meet the armies of
Munster as they drink to their upcoming victory. Victory is assured,
they believe, because all the men of Ulster are sleeping thanks to
their queen, Maeve. All save Cú Chulainn. One man tries to sound a
warning but Cormac Connloignes, their leader, will hear none of the
stories before his 18,000 men cross Ireland and claim the Brown Bull
of Ulster. So they drink and sleep. The cautious men wakes as he
believes he hears the sounds of beasts. He is mocked but the amy is
attacked by vicious hounds. They defeat them but Cormac recognises
them as the Hounds of Cú Chulainn. We then see the tale of a young
boy called Setanta. 13 years ago, in the court of Conchobar MacNeasa,
they see the boy's great prowess with a hurl. They bring him to the
castle where, whilst defending himself, kills the hound that guards
the castle. He is told he must take her place and raise her cubs
until they are old enough to replace her. He is no longer Setanta, he
is the Hound of Culainn. They have lost 500 men and wonder what lies
ahead of them. In the distance, Cú Chulainn smiles.
In
Chapter 2, Strength, the news of the attack is brought to the armies
of Fergus Mac Roich. Back with the southern army, they have reached
the Gap of Dunloe and are met with the obstacle of an ash tree. They
have no option but to take down the tree. 10 years before, Cú
Chulainn has fulfilled his task of protector of Culainn and is
offered a sword. He picks one but, before he can wield it, is told he
must prove his use by carving a shield. He is warned to stay away
from the ash tree as, even he, isn't good enough to carve a shield
from that. The ash tree gifts you with the souls of Ireland's
fiercest warriors. He goes for an ash tree and it attacks him. Now,
the southern warriors attack the ash tree in their way to little
affect. The warriors of Fergus arrive and together they pull it up by
the roots. Their is a carving underneath “Let no man pass unless he
has the strength to purge this tree by himself.” Not only are they
facing a man that can lift an ash tree by himself but one who wields
a shield made of ash. In the distance, Cú Chulainn looks on,
wielding an ash shield.
In
Chapter 3, Destiny, the armies arrive at the Hill of Tara, seat of
High Kings. 6 years before in this place, Cú
Chulainn witnessed Maeve, goddess of intoxication, betray the gods
and try to kill the Morrigan, goddess of war. She had taken control
of the White Bull and once she takes control of the Brown Bull of
Ulster she will control Ireland. Once Maeve departs, Cú Chulainn
rushes to the war goddess' aid. She tells him that no man will be
able to resist Maeve but she will give him the power to do so. Now,
Maeve reveals that the Kings of Ireland, so under her control, have
beheaded their own wives for her. Among them are Fergus Mac Roich,
foster father of Cú Chulainn and Cormac Connloignes, son of the
great Conchobar MacNeasa, King of Ulster, leader of the Red Branch
Knights whose kingdom she wishes to conquer.
In
Chapter 4, Skill, the armies of Maeve are struggling onwards by sea.
The God of the Sea, Lir, appears to be against them. They eventually
find refuge on the Island of the Scathach. They just need to cross a
bridge to get to the Giant's Causeway. Maeve reveals that they need
Scathach's permission to pass. She reveals that if they can cross the
bridge and defeat one opponent, they may pass. The armies charge and
a lone warrior leaps on to the bridge to face them. Years earlier, Cú
Chulainn and this warrior, revealed to be named Ferdia, trained on
this island. At the end of their training, the Scathach reveals a
dark future where only the Spear of Mortal Pain will separate them.
Now, the warriors are being defeated by Ferdia. Even Cormac is
killed. Maeve takes matters into her own hands and uses her powers to
subdue him. The army marches on. The Scathach reveals that the dark
future is here and wonders if Cú Chulainn knows what he is up
against.
In
Chapter 5, Knowledge, they have reached the Giant's Causeway and face
the giant. We see the story of how Cú
Chulainn faced the the giant. Having showed his bravery, the giant
offers him all the riches he could carry. He shuns them. He just
wants to know how the giant got so big. The army eventually
dispatches the giant on they are finally on Ulster soil. In Chapter
6, War, they face ambushes and attacks before finally seeing Cú
Chulainn face to face. He defeats every warrior he faces going into
his legendary blood rage. Maeve reveals to him that she has his
brother, Ferdia, under her influence. She knew he would defeat her
armies, they were just to protect her as she passed through the
island. Cú Chulainn doesn't want to fight his brother but Ferdia
asks him to kill him so that Maeve won't succeed. He eventually slays
Ferdia but Maeve attacks him from behind, stabbing him through the
chest. He stumbles towards a rock so he can stay on his feet. Maeve
orders her men forward but they won't go near him. The Morrigan, in
the form of a raven, lands on his shoulder. Maeve decides to attack
herself and is stabbed. The Brown Bull attacks her and the men chop
off her head. Fergus, free of the spell, asks if the men, also free
of the spell, will fight on for their queen or honour a man who has
fought for his land. Throughout his speech, we see flashes of future
heroes before ending with a crowd standing around a Cú Chulainn
statue in GPO in Dublin.
I
enjoyed the way the story was structured. Each chapter starts with a
hint of the final battle before we go to the story of the armies'
progress through Ireland. We then get flashes of Cú Chulainn's life
when the progress of the army hits somewhere or meets something that
has some connection to a Cú Chulainn tale. The art also reflects the
different time periods as pages about Cú Chulainn's past and the
flashes of future heroes are shown in what looks like images drawn on
parchment. This affect is also used for the panels and the titles at
the introduction of each chapter. The structure aids in conveying the
pending inevitable tragic destiny of Cú Chulainn and the story is
recreated in an action-packed and interesting way. This is the tale
of an Irish superhero. Another interesting aspect is that this book
is being published by O' Brien Press who have moved into the graphic
novel business. This means that the book is as likely to be seen in a
bookshop as in a comic book shop. It also results in a very nice
package that would look good on anyone's bookshelf.
******
Follow Will Sliney
Website: http://sliney.blogspot.ie/
Tuesday, May 28, 2013
WITH POD ON OUR SIDE: WHERE MONSTERS DWELL
To me, Hell is other people on public
transport and being that I commute to work this necessitates me
taking matters in hand. Rather than resorting to physical violence, I
have resorted to filling my iPod or iPhone with my favourite music
and my favourite podcasts. 90% of these podcasts are comicbook
related and one that gets priority when posted is Where Monsters
Dwell. WMD is a weekly radio show broadcasted from Fredericton,
New Brunswick, Canada. I discovered this show quite by chance by
becoming friends with co-host “Monster” Mike Campbell on Facebook
years ago and have been listening ever since.
The show is a mixture of discussions
between hosts Mike Campbell and Remington J. Osborn on a variety of
nerd topics be it TV, film, games and a conversation with a comicbook
creator. These discussions are very entertaining as, the hosts have
said this themselves, it is a couple of friends meeting once a week
and chatting about the things they love and they would do it even if
they didn't have a radio show. They veer away from the negative and
try to focus on the positives. They also give a much appreciated
spoiler warning if they think the discussion is heading in that
direction.
The laid back style really works when
it comes to the interviews as the vast majority of guests are put at
ease when they realise that the WMD crew just want to talk about what
they want to talk about and won't push them where they don't want to
go. (This doesn't stop Remy from trying to extract information about
top secret projects on occasion but that is more of a running gag
than serious pressure). Mike does a great job on the discussion of
art process as he is genuinely interested in knowing how artists do
things (he's a bit of an artist himself). If they aren't asking the
questions you want, you can ask a question by posting on their
Facebook wall (or call in if you're listening live) and producer
Chuck will ask the question. The guests have included the legendary
Joe Kubert, Gail Simone, Mark Waid and Irishman Declan Shalvey. They
have a nice mixture of independent creators and the well known names
and they have many repeat guests as interviewees seem enjoy the chats
as much they do.
After appearing on the show, and being
very entertaining (as he usually is) and presumably having a good
time, Jimmy Palmiotti began doing a spin-off show called Listen to
Jimmy where Mike chats with
Jimmy about his work (which Jimmy skips over as something that people
don't want to hear about) and what has happened in the week (not
restricted to comicbooks) and he answers Twitter and e-mail
questions. I think that is the part of the WMD show (and the Jimmy
show) that I enjoy the most. I really feel part of both shows. They
have asked questions for me and every week it feels like I am
listening to a couple of friends chatting about the things I love.
That and when they discuss future plans on air. “Maybe we should
discuss this off air.”
*****
Follow Mike Campbell and Remington J. Osborn
Website: http://wheremonstersdwell.ca/
AN' FOR EVERY HUNG-UP PERSON IN THE WHOLE WIDE UNIVERSE. MY REVIEW OF THEM.
Having read Tommie Kelly's The Holy
Numbers (review to follow soon –
it will be a bit more in-depth as it covers the whole story), I was
interested in seeing what else he had done. Where better to start
than with something out right now. THEM issue
one. In the books I have read, Tommie's stories cover the theme of
our place in the universe and society while at the same time telling
a very human story. With The Holy Numbers,
he was looking at religion, spirituality and its affect on society
and our connection with the universe. From what I have read so far,
with THEM, he seems to
be dealing with art, fame or the idea of launching an idea into the
world or maybe all of the above. I haven't figured it out quite yet.
The
issue starts with a plant growing as a metaphor of an idea being
launched unto the world. We then see the protagonist, Roman,
desperately running from THEM.
They are only shown as shadowy figures. Who are they? Our first
mystery. We then skip back to a scene of him on stage basking in the
light of his fame. He has created a masterpiece. What is it? Mystery
number two. We then cut back to when he's an ordinary, unrecognised
artist. He is in getting art supplies when the universe hands him a
black book. It has name and the date on it. The owner, Mr. Sheldrake,
found it while looking through things. Another mystery. Roman feels
the universe or Sheldrake is messing with him. He thinks the universe
wants people to be unhappy. Sheldrake quips that he feels less happy
since Roman walked in. Sheldrake worries that the artist is being too
pessimistic. He assures him that he is content. He is lying.
Roman
gives us a run through of his life. He sleeps all day and works on
his painting at night. It is his only escape. When he is not
painting, he is thinking. And drinking. It dulls the voices that have
been his constant companion. He feels disconnected from people. He
doesn't understand them. He is not a success with his art. The unpaid
bills and debt are voices telling him he is a failure. Voices like
that of his father whose voice is loudest. So he paints to escape.
When he is out for drinks, he hears that someone that he knows, John
Morrison, has gained fame after “painting for about two minutes”.
John's life is everything that his isn't. The universe, Roman feels,
hands him things when he wants them. His friends like Morrison's art
and feel that his success will be good for them. They think he should
let it go. Roman leaves the bar. Walking home he continues to ponder.
He feels Morrison's success only highlights his failure. He has
stolen his spot in the universe. He feels defeated. His spot will
never come. The issue ends with Roman getting struck by a car.
I
really liked the first issue. I enjoy Tommie Kelly's art and the
story is a good mixture of the everyday story of someone trying to
make it in the world and the big theme of our place in the universe.
One issue is not enough to review the overall theme as I feel this
issue covers a lot of them, as I noted at the beginning of this
review, it could be art, fame or launching an idea into the world or
all of the above. Some writers try high concepts while sacrificing
the basic story. There is a big idea but no human element to help us
connect to the story. Tommie Kelly manages to have the high concept
while giving us Roman to empathise with. His is an everyman story of
trying to make his way in the world. I also enjoyed the unanswered
questions. There was enough of Roman's story for us to start to
understand where the story going but there are enough
mysteries there to get you to come back for issue two. I will be
reading it. I want to know more about THEM.
*****
Follow Tommie Kelly
Website: http://www.tommiekelly.com/
Monday, May 27, 2013
SUBTERRANEAN CITY (ROBERT CURLEY) DUES (Or How I Came To Love Irish Comics)
As a kid my exposure to comics mainly
involved being scared by copies of Dan Dare Annuals belonging
to my uncles and copies of 2000 AD that I picked up at a fair
in my home town. I didn't discover that American comics were being
sold in Ireland until my best friend discovered comic shops in Dublin
around 1999. One of these shops was Sub City Comics which is owned by
Rob Curley who, I didn't know this at the time, was a comic book
creator. Sub City became my weekly comic shop and I would spend many
a weekday, and the odd Saturday, browsing the racks and getting
caught on what I had been missing all my life. On one of these days,
I spotted an issue of a comic called Freak Show. (I remember
it was issue three as it had the villain called the Director on it).
I decided to pick up the other issues and give it a go.
The book was set in the 1950s and
centred around detective Jack Nixon, actress Susan White, Elizabeth
Grange and blue blood Miles Weishaupt. In the first issue, Jack
investigates the murder of a famous film director. Suspicion is cast
on Susan as there are photographs of someone who looks like her with
him. Susan and Jack have a history and she is none too pleased to
have him back in her life especially since she's under investigation.
The killer is eventually revealed to be a lover of Jack's who is
obsessed with Susan. They manage to stop him but Jack being outed
leads to his leaving the police. The next story introduces us to
Elizabeth and Miles. Miles gives Elizabeth a lift to an acting
audition where she ends up getting used in the machinations of the
villain known as the Director. He attacks the Oscars using her image
which causes them to cross paths with Jack and Susan, who have
decided to investigate the events after they read about them in the
newspaper. Together they foil his plans and end up as a sort of
Supernatural Detective Agency. Each issue they run into a strange
villain in a series that is a mixture of Ed Wood and LA Confidential.
I followed the adventures of Jack, Susan and co for the rest of the
books run. Reading the first few issues, I noticed the name Robert
Curley on the credits. I finally knew someone who actually creates
these things! Along the way, I was also introduced to artists who
would go on to make names for themselves in the US: Stephen Thompson,
Stephen Mooney, Declan Shalvey and Will Sliney (on another Atomic
Diner title called Atomic Rocket Group) and discovered
that more Irish people were making comics. This led me to discover
books by people like Bob Byrne (Mister Amperduke), Alan Nolan
(Sancho) and Gerry Hunt (In Dublin City), who had been
making them for many years.
After ending his run on Freak Show,
and taking a break from producing books, Rob came back with a
vengeance. Something had changed though. The new books had moved to
an Irish focus. He started by introducing an Irish super-team called
The League of Volunteers. Set in the 1940s, the group includes
journalist The Glimmerman, ex soldier The Archer,
vampire hunter Blood Rose and, from Ireland's ancient past,
The Druid. The group
comes together to foil a Nazi resurrection of an ancient evil called
Bocanah. The series introduces dozens of characters including
Fianna members, secret agents, scientists and hints of past leagues
that included prominent figures from Irish history. The series has
also spun a variety of mini-series and one shots including The
Black Scorpion, The Crimson Blade (a member of The 1795
League) and the upcoming Glimmerman. He has also added some
non-super hero titles (although I think a lot of the League
books don't strictly fall into the super hero genre). First, he
brought us an Irish demon hunter from 1899 called Róisín Dubh.
He then added a personal
favourite called Jennifer Wilde. It
is an intriguing story about a girl name Jennifer who is trying to
find out about her father's past while being accompanied by the ghost
of Oscar Wilde.
Recently, he added Noe: The Savage Boy which
is about a village in Cork in 1631 that gets kidnapped by pirates.
As with Freak Show and his other
earlier books, Rob has introduced us to some terrific artists
including Barry Keegan, Stephen Byrne and Stephen Downey. One thing
has changed this time though, Rob has taken on other writers to work
on these series. Maura McHugh co-plots and scripts Jennifer Wilde
and writes Róisín Dubh and Alan Nolan is doing some upcoming
issues of the League and there are hints of more to come. I'm
enjoying watching this universe as it seems to be a metaphor for
Irish comics as it has grown in leaps and bounds over the past couple
of years.
*****
Follow Rob Curley
Website: http://www.atomicdiner.com/
Saturday, May 25, 2013
LIGHTS! CAMERA! ACTION! HALF PAST DANGER!
I was going to wait until the trade was
out to do a review but certain events changed those plans for me.
First of all, I really enjoyed the first issue and want people to
know about. Secondly, I attended a signing with writer/artist
Stephen Mooney (thanks to Rob at Sub City Comics) and his enthusiasm
for the series was contagious. I have known of Stephen Mooney's work
since his days on Atomic Diner's Freak Show where, amongst other
things, he drew one of my favorite villains, the Director. He has
since built a name for himself working on various titles for IDW
including Angel and the A-Team. Having done this, he decided to use
that notoriety to do his own story called Half Past Danger. I have
known about these plans for over a year. I was privy to a preview of
the art for the first issue at various conventions and was there for
the announcement of IDW as publisher and Jordie Bellaire as colorist
from issue two at last year's DICE convention. I was already excited
about the series as I have gotten more and more into creator owned
series because, in my opinion, you get the purest sense of what the
creator is all about but the addition of IDW and Jordie meant that
this was going to be a beautiful book. The panel at DICE also
included an entertaining discussion on the Indiana Jones movies and
which was best which led to my purchasing the series on Blu ray as
preparation for the release of issue one.
The issue begins with the Staff
Sergeant Tommy “Irish” Flynn leading a troop of American soldiers
through a Pacific Island. He, like thousands of other Irishmen,
joined the Allied Forces to fight Nazis. From the very beginning, you
get Stephen Mooney's love of the movies. The opening scene is
reminiscent of Raiders of the Lost Ark. We get the other cast
member's views of the main character before we see him and get a
great sense of camaraderie amongst the troops. The main thing we find
out is that he has gotten them off more than one scrape and hasn't
lead them wrong. We also get the feeling that he is about to get them
into the biggest scrape of their lives. The troops run into a
mysterious Nazi camp that is much further east than they should be
and Flynn decides they should avoid the Germans and, in doing so,
leads them towards some dinosaurs. The creatures, in some superb
action sequences, make short work of the troops and only Flynn
escapes with his life.
The story then cuts ahead two months to
Flynn drowning his sorrows in a New York bar. We are not yet privy to
what has occurred since his time on the island but he appears to be a
broken man. His self-pity is interrupted by the appearance of
Englishwoman, Elizabeth Huntington-Moss, an American soldier named Captain John Noble and a mysterious Japanese
fighter. Elizabeth wants Flynn's help (we don't the what and the why yet)
and you get the impression that she is a lady that gets what she
wants. Their first interaction quickly results in bar fight where we
get to the combat prowess of both the American and the Asian.
Elizabeth didn't get her hands dirty and tries to order herself a
drink instead. Flynn is eventually subdued and wakes in what appears
to be a hospital. The American informs him that they intend to get him back into the war.
I really enjoyed the first issue. It
had all the elements of a great action movie. We have an interesting
lead, there is fast paced action, there are humorous elements and
there is a great supporting cast. My favorite thing about the issue
is that we don't know everything about Flynn, we haven't found out
what those Nazis are were up to on that island, we don't know what
has Flynn been up to since the island incident and we have only begun
to know the supporting cast and what they want with Flynn. There are
questions to be answered. Why is this my favorite thing about the
issue? Well it makes me want to pick up the rest of the series so I
can hopefully get some of these answers. I do want those answers.
*****
Follow Stephen Mooney
Website: http://www.halfpastdanger.com/
*****
Follow Stephen Mooney
Website: http://www.halfpastdanger.com/
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